Aino aalto. Artek 2020-01-24

Artek

aino aalto

These iittala Finnish glasses were inspired by the circles created by throwing rocks in the water. The glasses are safe for the dishwasher. Aino Aalto's role in the design of the architecture attributed to Alvar Aalto has never been specifically verified. Aino and Alvar's work personalities were apparently highly complementary as well. Artek still produces Aalto furniture today, but now it is owned by a private company. Aino Aalto also designed several glassware objects for the Finnish company , who made household objects. All colors come in two sizes: medium and large.

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About Alvar Aalto

aino aalto

Both women played a crucial role in the day-to-day operations of their husband-and-wife businesses, freeing their spouses of many practical worries. This concept included genuine materials, clear-cut design, practical solutions, an international spirit, and modern art. Designer: Aino Aalto 1932 Echoing rings of water, this pressed glassware from 1932 is tactile proof that essential design survives the test of time. The design won a gold medal at the Milan Triennial in 1936, and has become a staple at tables around the world ever since. Aino Aalto designed functionalism-inspired housewares for contemporary homes.

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Aino Aalto

aino aalto

The glasses are safe for dishwasher. Aino assisted Alvar in designing every fixture and piece of furniture for his competition-winning Paimio Tuberculosis Sanatorium 1929—39 , creating bentwood and tubular-steel pieces that are still in production today. Because work was often signed by both of them, or simply by the office, it's impossible to strictly define their roles in these collaborative efforts. Some of their itinerary is obscure, but the couple are known to have initially stopped off in Vienna. Aalto actively worked in the Artek office until 1949, when she died of cancer.

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iittala Aino Aalto

aino aalto

Six months later, they were married. That famous husband was, of course, Alvar Aalto. These iittala Finnish glasses were inspired by the circles created by throwing rocks in the water. As Artek's first artistic director, her creative output spanned textiles, lamps, glassware, and buildings. Aino and Alvar first met as students but only grew close in 1924, when Aino joined Alvar's newly formed architecture office which he had grandly named the Alvar Aalto Office for Architecture and Monumental Art­ in Jyväskylä, Finland.

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iittala Aino Aalto

aino aalto

These iittala Finnish glasses were inspired by the circles created by throwing rocks in the water. All colors come in two sizes: medium and large. Aino Marsio started working at Alvar Aalto's office in 1924, and the meeting would lead to a long partnership in more ways than one. Side Table 606 designed by Aino Aalto in 1932 for the Paimio Tuberculosis Sanatorium, and still in production with Artek today, © Artek archive The Aaltos also collaborated on the interior fittings for their buildings, including custom furniture, light fixtures and textiles, which were then put into production and sold to a wider audience. At the office, they worked jointly on competitions and commissions for architecture, interiors and custom furnishings.

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Aino Aalto

aino aalto

These iittala Finnish glasses were inspired by the circles created by throwing rocks in the water. Aino Aalto, circa 1940, © Artek archive Like Vignelli, she was educated as an architect at a time when few women were part of the profession, graduating from the Helsinki University of Technology in 1920. The timeless style and smart stackability makes them a versatile essential true to the test of Finnish functionalism. Aino Aalto glasses come in a variety of colors including light green and light blue. While his designs failed to place, her pressed-glass tableware service, called Bölgeblick, took second place and was put into production. The clean silhouette of this bowl is inspired by the coastal waters. These iittala Finnish glasses were inspired by the circles created by throwing rocks in the water.

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Aino Aalto Glassware

aino aalto

Projects the Aaltos cooperated on include the world famous Villa Mairea in Noormarkku, the Paimio Sanatorium, and the Savoy Restaurant in Helsinki. The glassware went into production that same year and continues to prove that essential design survives the test of time. In many ways, it was Aino who laid the foundation for the aesthetics of Artek, which combined the modernist idea of clear form with simple surface ornamentation. The clean silhouette of this bowl is inspired by the coastal waters. Elissa second from the left and Alvar second from the right Aalto during the construction of Maison Louis Carré in France.

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Aino Aalto Glassware

aino aalto

The clean silhouette of this bowl is inspired by the coastal waters. Aino Aalto glasses come in a variety of colors including light green and clear. In 1935 the Aaltos, together with chief client for the Villa Mairea and Nils-Gustav Hahlin, founded , a firm selling lighting fixtures and furniture designed by the Aaltos. These iittala Finnish glasses were inspired by the circles created by throwing rocks in the water. The Aaltos moved their office to in 1927, and started collaborating with architect. In the mid 1920s the Aaltos became the first architects in Finland to adopt the purified style of architecture coming from central.

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