Apoll und daphne. Apollo in Love with Daphne 2019-11-17

Apollo and Daphne (Bernini)

While pieces of sculpture were traditionally designed to be seen from one particular angle an optimal viewpoint , no such viewpoint exists here; the viewer has to walk all the way around the sculpture for the maximum effect. Mäßiger, bitte ich, eile und hemme deine Flucht; mäßiger werde ich selbst dir folgen. Die Geschichte von Apoll und Daphne erzählt am schönsten der römische Dichter Ovid. Poussin's last work This superb drawing, perfectly laid out, nevertheless shows in parts that the elderly artist's hand was growing shaky. However, Daphne was determined to remain unmarried and untouched by a man by the rest of her life. Du sollst damit zufrieden sein, mit deiner Fackel ich weiß nicht was für Liebesleidenschaften zu wecken, und beanspruche nicht unseren Ruhm.

Apollo and Daphne • The Greek Myth Story of Daphne and Apollo

Bernini's sculptures are recognizable for their theatrical, engaging drama, dynamism, tension, texture, and naturalism. Detail of the sculpture The sculpture was the last of a number of artworks commissioned by , early on in Bernini's career. Ich bin kein Bewohner des Berges, kein Hirte, nicht struppig bewache ich hier die Rinderherden und Kleinvieherden. However, the use of the wash reveals great delicacy of touch and the artist used black chalk to touch up certain details such as the dog lying on the left. Geschrieben von Angel am 02.

Apollon & Daphne

Nevertheless, the sculpture is fully finished on all sides allowing light to define form with almost spiritual intensity. Deep cutting in the drapery, flowing hair, and emerging tree convey the immediacy of action, while the delicacy and thinness of the marble leaves make them appear almost transparent. These Games were held in honour of Apollo. Neither Apollo nor Daphne ends up happy, and this is actually pretty common in stories about Apollo. Nicht weil es irgendwelchen Grund gegeben hätte, liebte er sie unwiderstehlich, sondern weil der Pfeil des Amor griechisch: Eros ihn getroffen hatte.

Pollaiuolo, Antonio: Apollo and Daphne (1470

Multi illam petiere, illa aversata petentes inpatiens expersque viri nemora avia lustrat nec, quid Hymen, quid Amor, quid sint conubia curat. At one point it does this explicitly. He produced various sculptures for the Borghese Family and was their last commissioned and is among Bernini's most popular artworks. Although the object of his desire has slipped through his hands, the heartbroken Apollo devotes the remainder of his life to caring for the tree. The statue presents both a partially nude woman who tries to flee her pursuer. So kann man sie toter erleben als vermehrt. After all, old pictures are full of marvels, miracles, and martyrdoms which to us can look absurd, although they weren't meant to.

Apollo and Daphne (Bernini)

Sie könnten für diese hier uninteressant sein. The New Monthly Magazine and Literary Journal. Viewing the sculpture from this angle allowed the observer to see the reactions of Apollo and Daphne simultaneously, thus understanding the narrative of the story in a single instant, without the need to move position. The last two criteria texture and naturalism are perhaps the most particular to Bernini: no one can make stone convey soft skin, curling hair, or crinkling fabrics the way Bernini can. However, Daphne was devoted to the goddess Diana, and had resolved never to marry and to remain a virgin for her entire life.

Apollo and Daphne Summary

His figures often seem to be in the midst of speaking or screaming, and the viewer feels as if he had intruded upon an intimate moment. Auf diesem Weg erlangte er ihre Zuneigung. Italian and French contemporaries praised the artist with detailed biographies, sure of the genius in their midst. In a virtuoso feat of craftsmanship Bernini shows Daphne in the process of becoming a tree, with bark creeping over her legs and leaves and branches sprouting out of her fingers. Dass bei den Römern nun Apoll eine Geschichte zugeschrieben wird, in der es ihm genauso wie dem von ihm wenig geschätzten Pan geht, hat schon was. Very few of our famous pictures are famous for being funny. Vernichte durch Verwandlung die Gestalt, durch die ich allzu großen Gefallen erregt habe! Dieser verwandelt sie in einen Lorbeerbaum.

Apollo and Daphne by Gian Lorenzo Bernini Facts & History

Apollon aber bestand darauf, dass Daphne mit ihren Begleiterinnen im Ladon bade. Ovid war ein sehr produktiver Dichter im alten Rom - zu Zeiten des Kaisers Augustus. Apollo, slender, young and smitten by the love arrow proclaims that for as long as he remains young and with uncut hair she will forever more illustrate the evergreen of foliage. Für dieses freizügig geschriebene Werk schickte Kaiser Augustus den großen Dichter ins Exil. Unlike other images of the subject, and unlike the poem, the picture gives no impression of gradual, graceful, organic transformation.

Apoll und Daphne

While the sculpture may be appreciated from multiple angles, Bernini planned for it to viewed slightly from the right because the work would have been visible from the doorway where it was located. From contemporaries who worked directly under him or competed with him for commissions, up to modern artists who looked to his use of emotional multimedia design for , a multitude of artists can thank Bernini for the development of their own styles. In Ovid the incident isn't particularly funny though some of his stories about people being turned into things do have a humorous slant. Durch mich steht offen, was sein wird und gewesen ist und ist; durch mich stimmen die Gesänge mit den Saiten überein. There are comic plays, comic poems, comic novels.

Ovid

Knowing he must have her for himself, he sets out to win her attention. In the painting, although not in this drawing, Poussin also included the death of Narcissus or Hyacinth in the background on the right. His version of Apollo was based on the classical statue the Apollo Belvedere. Er bewirkte nicht Liebe beim Getroffenen, sondern Abwehr oder sogar Hass. Revisiting Ovid Poussin drew on the Metamorphoses of Ovid and other writers of antiquity for the subject of his final composition.

Apollo and Daphne by Gian Lorenzo Bernini Facts & History

Enfolding her breasts is a very thin covering of bark, her arms become branches that gently sway in the breeze, her beautiful long golden mane takes the look of moving leaves hiding her face behind them and her feet ever moving were quickly stilled and rooted to the ground. Although it has since been moved into the center of the room, originally the sculpture was located near the wall, such that the viewer would first approach it from behind. Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. Miniature details, such as the hunt taking place just in front of the river, reflect courtly pastimes that would have appealed to the patrons but also echoed the story itself. At once she takes root, and is transformed into a laurel tree.