Bridget riley hayward gallery. Bridget Riley at the Hayward Gallery 2019-12-03

Bridget Riley at the Hayward Gallery

Ranks of painted stripes shimmer as the colours merge and separate; geometric patterns in black and white dance and quiver, sometimes so violently that the picture surface seems to buckle, or even to dissolve. Alongside her best known canvases, the exhibition will also include the only three-dimensional work that the artist ever realised, Continuum 1963 , as well as new wall paintings made specially for Hayward Gallery. A lot of the more recent work is painfully dull — the colours and curves replaced by muted tones and ultra-formal composition — but after decades of innovation you can forgive her for slackening the pace a little. . At the for the opening of her retrospective, speaks of such uncomplicated pleasures with evident delight. Bridget Riley at the Hayward Gallery October 2019 sees the Hayward Gallery host a major retrospective exhibition devoted to the work of celebrated British artist Bridget Riley.

Bridget Riley at the Hayward Gallery

Solid then liquid and back again. And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk. Here, as in many of the black-and-white paintings, the sensation of movement both generates and is achieved by the illusion of pictorial depth and the action of light. At its best, though, this is a beautiful show of stunning art by a vital figure in art history. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3. Riley messes with the space between the colours and the lines until the paintings come alive with vibration.

Bridget Riley, Hayward Gallery review

The chequerboard seems to disappear around a curve, and though this is achieved solely through the narrowing dimensions of the squares, we bring to it our own knowledge of the way in which light behaves. Enjoy a drink or a meal in one of the many bars and restaurants or soak up the atmosphere at the iconic Royal Festival Hall. For 2017 Southbank Centre places a focus Nordic art and culture - find out more about sustainable food and communal singing, hygge and saunas, paternity leave and the struggle for gender equality. An artist uses pigments and shapes to create images which trigger recognition in your brain. In the late 1960s, she created massive panels of straight lines of contrasting colour.

Bridget Riley at the Hayward Gallery exhibition review

Riley began to introduce colour to her work in the late 1960s, a development that produced subtler paintings, less obviously reliant on visual shocks than those made in black and white Pictured above: High Sky, 1991. This unmissable exhibition is available to book now. The arts centre hosts a festival programme of over 5000 events every year across the genres of art, theatre, dance, classical and contemporary music, literature and debate. See shows and exhibitions, take part in vibrant festivals, and look out for free music and events. In the stripe paintings of the late Sixties, we can see not only her interest in colour as a carrier of light but her active and highly intelligent engagement with the art of the past. In Blaze 1, 1962 Pictured above right , zigzagged lines radiate out from a central point. To take an annual subscription now.

Bridget Riley at the Hayward Gallery

In Rise 1, 1968, evenly spaced lines of red, blue, green and white begin to do what you feel Seurat knew they might, the colours merging and even separating, so that yellow starts to shine through, like the memory of sunlight creeping through a blind. Observations and changes are marked in pencil, the final composition arrived at through a gradual process of looking and doing, looking and doing again. The best room in this show is filled with early black and white paintings and works on plexiglass. Bridget Riley will make your eyes hurt and your brain ache. The work of Georges Seurat 1859-1891 , whose A Sunday Afternoon on La Grande Jatte — 1884 attempted to introduce to painting the systematic application of optical theory, has been a lifelong source of inspiration for Bridget Riley, and the stripe paintings in particular can be seen as a development of his ideas. Timing is essential to the impact of this moment, and the anxiety it induces is only heightened by its transience — almost as soon as it is sucked into its inexplicable chasm, the chequerboard starts to right itself, settling once more to a rhythm.

Bridget Riley at the Hayward Gallery exhibition review

Thick squares squash down into little rectangles, sucking you into an infinite horizon. Everything tingles and wobbles, drifts in and out of focus, the picture planes jiggle and reform. But Bridget Riley wanted to push that much, much further. Instead, it induces collapse or release through the steady building of tension. In Movement in Squares, 1961 Main picture , the apparently unshakeable stability of a chequerboard is disrupted, the squares gradually narrowing until at one point — the breaking point — they seem to disappear, sucked into a vacuum beyond. In addition to the Royal Festival Hall, the expansive site includes Hayward Gallery scheduled to reopen in 2018 , Queen Elizabeth Hall, Purcell Rooms and the Poetry Library.

Bridget Riley, Hayward Gallery review

We feel it's a very good deal, and hope you do too. Book by 30 September and with no booking fee. Slight changes in angle and frequency destabilise an otherwise regular pattern, producing a dizzying vortex that dissolves as it gathers pace. Art, at its most basic level, is about looking. In fact, Movement in Squares can start to look like a very painterly painting, engaged with traditional artistic concerns of space, light and movement. . .

Bridget Riley at the Hayward Gallery

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