Gjertrud jynge. Gjertrud 2020-01-30

Fedra

Her vaks oldemor hennar Louise opp, og her fekk far til Louise, sognepresten Jakob Walnum 1851-1925 , sitt kall frå Gud: Han skulle bygge opp en misjon for å verke blant taterane, Romanifolket, han skulle få slutt på omstreifarvesenet. Produsert av Det Norske Teatret. Reviewed at Haugesund Film Festival, Norway, Aug. Dei vaksne blei sett til tvangsarbeid i eigne leirar, barna blei sende på barneheimar, ofte tekne frå foreldra med makt. Still, the film manages to sustain interest, not the least thanks to Elvik, who makes Wilhelmsen an intriguing and unusual heroine.

Gjertrud

Nils Ole Oftebro Cecilie Vibe. Eit mørkt kapittel i hennar og vår nære historie. Unfortunately, the movie becomes more and more predictable. The warmth and love in the two sequences of consensual sex make the rape even more horrifying and brutal, and this effective use of screen technique raises high hopes for the rest of the pic. Walnum var den første generalsekretæren i «Foreningen til motarbeidelse av omstreifervesenet», seinare kjent som «Norsk misjon blant hjemløse», som med støtte frå storting, regjering og kongehus blei ein motor i fornorskinga av taterane gjennom nærare hundre år. I rollene: Gjertud Jynge, Nicolai Cleve Broch, Ane Dahl Torp, Paul-Ottar Haga m. For some reason it felt like an old-fashioned carnival at dusk, when the sky grasps at the last few minutes of daylight, and the debris is not garbage but residue of the past.

FRÅ LANDEVEGEN/ Gjertrud Jynge & Det Norske Teatret

Lyse, dragged the contraption to the side, it lived on as an urban sculpture: a roadside shrine and an extravagant ghost bike rolled into one. Interesting storyline with strong performances by Oftebro and Jynge as father and daughter - a family on the verge of breakdown after she's raped. På folkemuseet på Bygdøy står den gamle prestegarden frå Leikanger i Sogn. Small spotlights, strategically placed on the floor, throw shadows of equipment and performers on the walls. Lyse gets up from a seat in the front row and manipulates a complex optical device that throws a circle of light on the back wall; spinning lenses animate small electronic components in the halos of light. Ali Djabbary, who has been spinning wheels upstage, moves down and recites text in — I assume — Norwegian.

FRÅ LANDEVEGEN/ Gjertrud Jynge & Det Norske Teatret

Screenplay, Axel Hellstenius, based on the novel by Anne Holt. Yet despite the motion created from the objects and video, it was the sound that leaped and twisted through space. Screen violence is explicit but kept to a minimum, and lenser Kjell Vassdal does his best to make use of plenty of Oslo locations. The music for Edda was written by Arvo Pärt, the famous Estonian composer see , and by the duo CocoRosie, who previously collaborated with Robert Wilson on Berlin, 2013 and Moscow, 2015 , and most recently on Luxembourg, 2019. Gjertrud Jynge fortel om vegen frå Teaterhøgskolen til hennar store rolle som dronning Fedra på Hovudscenen. Hai Nguyen Dinh enters into the dimness of the space and whistles; then, by holding some kind of device to his mouth, he turns his whistling into loud static roars.

Edda — Robert Wilson

Skodespelar Gjertrud Jynge har mange minne knytt til denne vakre bygningen. Gradually the air came to life. Jynge, wearing a billowy white dress, stood with her face behind a flower-rimmed wheel. A puffin appears on the back wall, projected faintly. Nils Ole Oftebro Cecilie Vibe. There delicate moments of shadow play and animation drifted past or lingered: birds, larger than life, rose and fell, lifting off with the sweep of majestic wings.

Verdensteatret’s Vision at Performance Space 122

He created a dramatic dialogue with strong musical and rhythmic qualities, moving the stories nearer to us while keeping them different and remote. Gjertrud Jynge in a black dress sings into a microphone, which transforms her voice into wailing electronic sounds. International sales: Nordisk Film, Copenhagen. «Gjertrud Jynges engasjerte historietime skaper spørsmål som dirrer lenge etter at forestillingen er over» Vårt Land «Vondt og aktuelt» Dagsavisen «Viktig personlig dokument» Aftenposten Av og med: Gertud Jynge. Regissør Sigrid Strøm Reibo og ensemblet har premiere 14. .

Frå landevegen

Its many bike wheels are rimmed with flowers and feathers, and some have mesh or plastic woven through their spokes. Ein privat, kristen og statsstøtta organisasjon fekk drive ein til dels brutal reformpolitikk nokså uhindra frå slutten av 1890-åra og heilt fram til 1989. And who thought this up? Dei vaksne blei sett til tvangsarbeid i eigne leirar, barna blei sende på barneheimar, ofte tekne frå foreldra med makt. Les meir om framsyninga på nettsidene til Det Norske Teatret:. Olafs kollega as Tom Brudvik.

Blessed Are Those Who Thirst

Enormous amounts of blood are found in different locations around the city, but no bodies are discovered. The wheels spin at various speeds with choreographic articulation. By Jon Fosse and Robert Wilson, based on the eponymous Old Norse mythology To premiere in March of 2017 at the Norwegian Theater, Oslo, Norway. She seems so cold and sober that it is almost impossible to develop any feelings whatsoever for her. ©, 2011 Gus Solomons jr. Taterane skulle bli som andre «gode» nordmenn; dei skulle bli kristne og bufaste. At the start of the piece, the most visually elaborate of the doodads proudly confronts us, downstage center.