Helen Rest of cast listed alphabetically:. It combines sound, video, and sculpture into an intense 45-minutes that keep you wondering, how do they do that? Its many bike wheels are rimmed with flowers and feathers, and some have mesh or plastic woven through their spokes. Dei vaksne blei sett til tvangsarbeid i eigne leirar, barna blei sende pÄ barneheimar, ofte tekne frÄ foreldra med makt. Interesting storyline with strong performances by Oftebro and Jynge as father and daughter - a family on the verge of breakdown after she's raped. Skodespelar Gjertrud Jynge har samla pÄ gamle fotografi etter oldemor Louise, og ho har lÊrt seg nokre av taterane sine songar.
PÄ folkemuseet pÄ BygdÞy stÄr den gamle prestegarden frÄ Leikanger i Sogn. For some reason it felt like an old-fashioned carnival at dusk, when the sky grasps at the last few minutes of daylight, and the debris is not garbage but residue of the past. What held the images together was the mesmerizing lighting, which shifted between a sepia veil and a range of the palest greens, blues and yellows. There delicate moments of shadow play and animation drifted past or lingered: birds, larger than life, rose and fell, lifting off with the sweep of majestic wings. «Gjertrud Jynges engasjerte historietime skaper spÞrsmÄl som dirrer lenge etter at forestillingen er over» VÄrt Land «Vondt og aktuelt» Dagsavisen «Viktig personlig dokument» Aftenposten Av og med: Gertud Jynge. . I den norske folketeljinga frÄ 1801 finn ein namnet med fleire skrivemÄtar: Giertrud, Giertrue, Giertru, Gjertrud, Gertrud, Jertru og Gjertrue.
Lyse gets up from a seat in the front row and manipulates a complex optical device that throws a circle of light on the back wall; spinning lenses animate small electronic components in the halos of light. Directed by Carl Jorgen Kionig. Screen violence is explicit but kept to a minimum, and lenser Kjell Vassdal does his best to make use of plenty of Oslo locations. Another light bulb with bent wire appendages bobs and spins in its spotlight like a disco dancer. Hai Nguyen Dinh enters into the dimness of the space and whistles; then, by holding some kind of device to his mouth, he turns his whistling into loud static roars. The wheels spin at various speeds with choreographic articulation. If, as the sixties dance revolution posited, dance in the broadest terms requires only organized motion, and not necessarily people doing it.
Ein privat, kristen og statsstÞtta organisasjon fekk drive ein til dels brutal reformpolitikk noksÄ uhindra frÄ slutten av 1890-Ära og heilt fram til 1989. Nils Ole Oftebro Cecilie Vibe. Skodespelar Gjertrud Jynge har mange minne knytt til denne vakre bygningen. The Norwegian group produces a most provocative poetry that resists definition. . Eit mÞrkt kapittel i hennar og vÄr nÊre historie.
International sales: Nordisk Film, Copenhagen. The awards will be presented on Jan. ©, 2011 Gus Solomons jr. When a young woman is brutally raped in her apartment and one of the missing bodies is found, Wilhelmsen starts putting two and two together in the hunt for the killer. Gradually the air came to life. The warmth and love in the two sequences of consensual sex make the rape even more horrifying and brutal, and this effective use of screen technique raises high hopes for the rest of the pic. She seems so cold and sober that it is almost impossible to develop any feelings whatsoever for her.
Enormous amounts of blood are found in different locations around the city, but no bodies are discovered. Kortformer av namnet er nederlandsk Geertje, tysk Gerti, engelsk Gertie og Gerty, finsk Kerttuli, nordisk , tysk Traudel, Trudel, engelsk Trudi, Trudie og Trudy og nederlandsk Truus. Bicycle wheels dotted the landscape like trees, and the setting, somehow a mixture of icy and playful, was like an industrial forest in which you suddenly found yourself smelling with your eyes and seeing with your ears. Produsert av Det Norske Teatret. Her vaks oldemor hennar Louise opp, og her fekk far til Louise, sognepresten Jakob Walnum 1851-1925 , sitt kall frĂ„ Gud: Han skulle bygge opp en misjon for Ă„ verke blant taterane, han skulle fĂ„ slutt pĂ„ omstreifarvesenet. Ali Djabbary, who has been spinning wheels upstage, moves down and recites text in â I assume â Norwegian.
And who thought this up? In this second filming of a Holt novel a brutal rape is one of many high priority cases at the Oslo Police Headquarters. But the complete integration of 19 th century toy making, 20 th century traditional puppetry, and 21 st century electronics hints at an exciting new direction for live performance. Small spotlights, strategically placed on the floor, throw shadows of equipment and performers on the walls. Gjertrud Jynge in a black dress sings into a microphone, which transforms her voice into wailing electronic sounds. Unfortunately, the movie becomes more and more predictable. Olafs kollega as Tom Brudvik.
At one point, the four performers exit the stage, and the machines perform on their own, controlled by unseen forces; the gears turn and plungers plunge, driven by wireless remote control from the rear of the theater. Walnum var den fÞrste generalsekretÊren i «Foreningen til motarbeidelse av omstreifervesenet», seinare kjent som «Norsk misjon blant hjemlÞse», som med stÞtte frÄ storting, regjering og kongehus blei ein motor i fornorskinga av taterane gjennom nÊrare hundre Är. RegissÞr Sigrid StrÞm Reibo og ensemblet har premiere 14. Yet despite the motion created from the objects and video, it was the sound that leaped and twisted through space. Jynge, wearing a billowy white dress, stood with her face behind a flower-rimmed wheel.
Taterane skulle bli som andre «gode» nordmenn; dei skulle bli kristne og bufaste. Her vaks oldemor hennar Louise opp, og her fekk far til Louise, sognepresten Jakob Walnum 1851-1925 , sitt kall frĂ„ Gud: Han skulle bygge opp en misjon for Ă„ verke blant taterane, Romanifolket, han skulle fĂ„ slutt pĂ„ omstreifarvesenet. Pic starts by cross-cutting between three acts of sex: Wilhelmsen Kjersti Elvik and her lover in their apartment, police-officer Sand Lasse Kolsrud and his girlfriend in a hotel room â and the young woman being raped by an unknown assailant. Nils Ole Oftebro Cecilie Vibe. Lyse, dragged the contraption to the side, it lived on as an urban sculpture: a roadside shrine and an extravagant ghost bike rolled into one. This time around -in feature film format- the editing and the cinematography is thank God less hectic than in it's small screen debut. Filaments from light bulbs were transformed into dancing insects â they even did a pas de deux â as their fine threads quivered like antennae within a halo of light.
Slik fortel ho om tippoldefar sin og tatermisjonen, om familiestoltheit og om skamma. Les meir om framsyninga pÄ nettsidene til Det Norske Teatret:. Reviewed at Haugesund Film Festival, Norway, Aug. A series of contraptions fashioned from bicycle wheels, clips, cables, and wires are scattered around the space; industrial-strength conical speakers at the sides occasionally swivel on their bases. Gjertrud Jynge fortel om vegen frÄ TeaterhÞgskolen til hennar store rolle som dronning Fedra pÄ Hovudscenen. A puffin appears on the back wall, projected faintly. The sources for our knowledge about this religion are different icelandic scholars and authors written poems from medieval time.