Kjersti aas stenby. Framsyninga som gjer deg til ein strålande representant for... 2019-12-02

Ways of Seeing

With its hyper realistic environments and driving narratives, they create an absolutely unique performative language where the everyday, absurd and monstrous combine in unforeseen ways. Når mamma ikkje lenger bryr seg, kan ingenting redde deg. Maria works using techniques from Castagno's book to deconstruct and recombine the text from literature forms to theatrical forms. In this spirit we conjured Arne to once again walk among us, and share his thoughts. Den nye heilage treeininga er Netflix, sukker og smelta ost.

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Samstundes veit vi at dei som er i stand til å legge band på seg, vente på eit gode og planlegge for framtida både er meir vellykka i yrkeslivet, lykkelegare i privatlivet og har betre fysisk og mental helse. The show was followed by a debate between the Italian author Gian Maria Cervo, the artists involved, and the audience about Polyvocality and Hybrid Plays. With the female body as the metaphor for an excavation site, Susie Wang conducts some kind of reverse archeology, where primitive forces discover man and pulls them down into their world. Med utgangspunkt i mytar, mellom anna frå antikken, blandar dei historie og samtid med eit urtidsteater som stammar frå dionysiske landlege rituelle festivalar. Slowly the heart stops running. I 2007 romandebuterte ho med Veke 53.

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How does an actor or actress work to represent humanity in such a complex scenario? Music composed by: Matteo Fargion. In collaboration with: Mari Matre Larsen et al. This constituted the evening program of the festival. The Norwegian theater company Susie Wang has abandoned the performance-oriented post-dramatic tradition, making mimetic theater that treats fiction with sincerity. Those who have stayed at hotels, especially those less luxurious, know what can lie between the rooms: The cries from one room meet the moaning from another. The museum guard warns against a very old and very deep hole in the floor. What specific adaptations are required to convert the spoken dialogue into a new language? This technique proved to be successful, and the film is ready to be released in June 2019.

Mumiebrun

Du vaknar og trur det berre var ein draum at verda gjekk under, men det var sanning som rørte ved deg da du ikkje kunne forsvare deg. Det er Ales In September 2016, the Festival Quartieri dell'Arte di Viterbo also co-produced the project, Det er Ales. Questions of kinesthesia, perception, affect and sensation have been crucial to most of her work. Rettare: Ingen bryr seg om du skrik. The horror loses its grip. Castagno, Lars Erik Holte, Fredrik Høyer, Mariken Halle, Tomi Janezic and Mi Elfverson.

Highway Hypnosis Episode #1 — Mari Lotherington

Uhlbors works with an expression that moves in an aesthetic tension between documentaries, anthropological theater, contemporary dance, cross artistic project and a performance tradition with expanded theatricality. Sara and Hanan: «We wait in the garden. By mixing physical action with narrative descriptions, a speculative choreography is created. The book uses polyvocal techniques and experiments with multiple voices in prose. Sometimes we look through your bedroom windows: you pig-faced evil bedbugs who feast upon the root systems of hope. The text was performed in the Orsini medieval palace of Bomarzo, and it's written by Gian Maria Cervo, and directed by Gianluca Iumiento.

MARE

Then we turn toward paradises lost for you and your kin. Nyare forsking tyder på at denne kjærleiken slår inn og endrar hjernen til kven som helst som får og tar ansvaret for eit lite barn over tid. The film gets a new life, changing prospective from moment to moment, shifting between different characters in the lead. In film editing, the approaches of polyvocality are definitely opening to new ways to create plots, characters, and story. In our first meetings, we attempted to separate the tasks between outright administrative tasks and artistic tasks. Gianluca Iumiento worked as the project's dramaturg during our time in Milan.

Ways of Seeing

Others wrote completely new scenes inspired by the events and characters of the original play. We wait, like a two-headed gnome: dirty, coarse, unreliable. Margit is in the museum, looking at things from the past, which then attack her. Technical support was curated by Stefano Berti and photo and production by Andrea Lombardini. In the morning, experts met in front of an audience and discussed problems raised during the development of polyvocal theater, while in the afternoon, the participants attended separate workshops lead by each one of the invited guests.

Mumiebrun

In this workshop, Iumiento worked on Latin playwright Seneca. The final result was shown at Drammatikkens hus in Oslo on the last night of the festival. Gianluca Iumiento, with the supervision of experienced film director Erik Gustavson, assembled a new cut of the film experimenting with polyvocal techniques in film editing. The festival will investigate: How classic text work can be used with new contemporary drama, how actors and directors can discover new reading strategies when the traditional approaches stop working, how an actor or actress can act as a dramaturg on stage, and what tools the stage performer has for developing new texts. Experiences from Hallingskarvet, a 5 days stay at a cabin in the Norwegian woods, meetings that involved readings and discussions served as material for developing an Ecosophy F for Fjaler Theatre Festival. The activities of the festival consisted of two main parts: Congress and workshops.

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The last general assembly In March 2019 Rose-Marie Aker and Gianluca Iumiento traveled to Belfast to attend the general assembly organized by Prime Cut Productions. What is the boundary between body and soul, and does this even exist in humans and nature? By transferring power from the human and psychological to the cosmic, Susie Wang allows extraneous and invisible powers to take control of the action, and the characters stand back, powerless. The series currently also comprises 69 positions Black Box teater 2016 , 7 Pleasures Dansens Hus 2016 and the performative conference The Permeable Stage in which a number of artists and theorists were invited to reflect upon, perform and discuss the politics of sexuality. The goal was to create an active dialogism process between two writers of two different nations, and across two generations. Mara er eit norrønt vesen som hadde det med å sette seg eller ri på brystet til folk og dyr mens dei sov, og med det vere årsak til kjenslene av å bli kvelt. Larson conducted a two-day workshop on polyvocal film writing and on the issues of hybrid film genres.