In this article, I will explore You Want it Darker by focusing on the religious allusions that Cohen uses as he reflects his ambivalence towards God. At times, it seems that God is the one who is directly causing David to suffer see v. The irony of feeling so connected to Cohen because of his lyrics, lyrics that reflected his intense existential loneliness, makes his absence all the more painful for those who found comfort in his music. Because he has done this, I will not do what I promised during his lifetime. In 2011 Cohen received Prince of Asturias Award for literature. Cantor engages with the sacred even as wrestles with it. .
In declining health, and required to sing from a medically designed chair, enlisted his son to produce. In advance of its release, he told The New Yorker he was ready to die, but later walked back that comment. If God does nothing about it then it must be the way He wants it. Surely everyone stands as a mere breath. In song after song, delivers lyric juxtapositions that settle scores with God, past lovers, and himself, but almost always arrives at equanimity.
The title track is introduced by a choir and a foreboding bassline, its lyrics as much an indictment of human concepts of religion as a confessional reflection, balanced by personal doubt and acceptance. This is shocking to most of us human beings, and rare it is that anyone can embrace this paradox of the nature of reality. This line, then, is not about anything that Cohen has done. It is about what God has done. When I first heard the phrase, I thought that it was an admission of guilt: Cohen had done something terribly wrong. The speaker concludes that any relationship between the human and the divine will inevitably lead to suffering, because this is the inherent nature of a relationship characterized by a disparity of power: 39:13: Turn your gaze away from me, that I may smile again, before I depart and am no more. I like to tie up the strings if I can.
Cohen, of course, is aware of this precedent, and sees himself as an extension of ancient voices who long ago asked questions that could not be answered. The pain that is necessitated by His own goodness and the glory that necessitates the existence of evil is left in the realm of paradox. Typically, redemption arrives in these songs with unflinching honesty. He wrote some of songs solo, and others with and. The first line derives from Jewish liturgy, which itself is derived from Psalm 92:2 and 99:3. The non-dual understanding of spirituality takes us to a realization that truth is beyond any assessments of good and bad.
He must also face his place in the whole drama. In interviews over the past year, Cohen seemed to be preparing for his departure. By causing human beings physical harm, and death, God gives human beings implicit permission to do the same. There is a frustrating ambiguity that clouds the meaning of this unusual psalm. While the speaker is clearly in great pain, it is unclear who is responsible for causing this pain. I am ready to die. If you are the dealer I'm out of the game If you are the healer it means I'm broken and lame If thine is the glory then Mine must be the shame You want it darker We kill the flame Magnified, sanctified Be the holy name Feel the fire, crucified In the human frame A million candles burning For the help that never came You want it darker Hineni, hineni I'm ready, My Lord There's a lover in the story But the story's still the same There's a lullaby for suffering And a paradox to blame But it's written in the scriptures And it's not some idol claim You want it darker We killed the flame You're lining up to prisoners And the guards are taking him I struggle with some demons They were middle class and dean I didn't know I had permission To murder and to mend You want it darker Hineni, hineni I'm ready, My Lord Magnified, sanctified Be the holy name Feel the fire, crucified In the human frame A million candles burning For the love that never came You want it darker We killed the flame.
God is indefinable and both good and evil occur in the world because he embraces both. Psalm 39, which is attributed to King David, accuses God of disinterest when it comes to the suffering of his creations. Ahab was boldly talking to God as his enemy not to Elijah the Prophet. Cohen sees human suffering as inherent to the scriptures, and one that by definition is characterized by paradox. After all, Imitatio Dei is a concept that transcends Judaism. This seems to be a commitment to co-operation.
But later in the psalm, this reality is amplified into an accusation. I will also consider how this song parallels—and diverges—from one of the most unusual psalms preserved in the Hebrew Bible. But in 39:11, the speaker argues that the brevity of human life is what makes God value the human experience so little. He is weathered but defiant in acknowledging failures, regrets, brokenness, and even anger. She earned a doctoral degree in Second Temple and Rabbinic Judaism from Brandeis University and a Masters degree in Hebrew Bible from Harvard University.
As Cohen accuses God of causing human suffering, we must remember that Cohen is getting in on an existential debate that he knows has been ongoing since the biblical period itself, when Abraham argued with God, accusing Him of ruthlessness towards the people of Sodom, and Moses railed against God when He threatens to destroy the Israelites, and David beseeched God to stop causing him personal pain. Yet You Want it Darker is founded on a religious tradition that galvanized three thousand years of accusations against God. Cohen keeps wrestling with God, maybe blame, but its humans who choose it to be darker, its they who kill the flame, its not given by permission a word in these lyrics , by any God, its you humans, or some of you, who choose it to be darker with your religious wars, your divisions. Compare verses five and eleven: 39:5: You have made my days a few handbreadths, and my lifetime is as nothing in your sight. Cohen was inducted into the American Rock and Roll Hall of Fame and both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame. Know that I am so close behind you that if you stretch out your hand, I think you can reach mine…Goodbye old friend.