Neon bull. Neon Bull movie review & film summary (2016) 2020-01-01

Неоновый вол (2015)

Advertisement Sex, almost by default, ends up being all the film has to sell. She seduces him, the pair engage in sexual intercourse and the film ends. But lest we forget, human beings, probably more than many would like to admit, are beasts. Neon Bullscreened at Filmfest Hamburg and will be released by Kino Lorber on April 8th. In one of several ecstatic moments, he lies on the grass beside a horse, which he strokes and adores almost like a lover. Together they form a makeshift but close-knit family.

Neon Bull Reviews

In a jaw-droppingly graphic sequence, Iremar and Zé use the scent of a mare to arouse a prize stallion so they can steal his valuable sperm. Iremar might be described as a centaur. As the monotony of his day job sets in, Iremar is increasingly enchanted by the idea of designing costumes for exotic dancers, starting with his close friend Galega. He shares quarters with a makeshift family that includes Galega Maeve Jinkings , an exotic dancer and truck driver with blond frizzy hair who dons a horse head with a brushed powdered tail for her sexy routines. But Brazil and the Northeast are changing and the region's booming clothing industry has stirred new ambitions in Iremar.

Neon Bull Reviews

For all his ease in the barnyard, Iremar longs for something more. Iremar is not alone in his hierarchical social view. They also bathe like animals. I just wanted to say that the review by eurogary see above says pretty much what I was thinking but couldn't manage to put down on paper, so to speak. Written by I don't know if this is allowed but here goes. .

Неоновый вол (2015)

Diego Garcia who lensed Apichatpong Weerasethakul's Cemetery of Splendor demonstrate a masterful eye for composition. However, in his free time Iremar rummages for loose fabric and mannequin parts among isolated dumping fields. At the same time, in our vanity, we need to distinguish. Selected at random, any given frame of the film might stand alone as powerfully as a Dutch genre painting think Brueghel or Vermeer , communicating the very texture and smells of each environment — some so oppressive the nose wrinkles at the sight. In one scene, the cowhands argue about whether donkey milk is fit to drink. The other, in a textile factory, involves Iremar and a pregnant woman.

Neon Bull

But the central image might be sweaty, shirtless men jouncing in the back of a truck with young Cacá as Galega drives to the next fairgrounds. Later, at night, he visits her at the factory, where he is impressed by the industrial clothing machinery. What Neon Bull reveals is a micro-society in which its inhabitants live nearly on top of one another, quashing privacy, but nurturing an intuitive, biochemical intimacy among themselves, and between the cows, horses, and other farm animals. They all dine together and sleep in neighboring hammocks, collectively facing down the monotony of an arduous, menial existence more as a family than co-workers. Swinging in his hammock in the back of the truck, his head is filled with dreams of pattern cutting, sequins and exquisite fabrics as he mentally assembles his latest sexy fashion designs. The connection between human and animal is intimate enough that we instinctively project our values and aspirations onto animals almost as though they were our children. Evoking northeast Brazil's rural traditions alongside dreams of its burgeoning fashion industry, and attuned to the commodification of bodies across species, Neon Bull deconstructs conventional notions of masculinity through its oneiric, sensuous portrayal of a man suspended between a region's past and its future.

Fluid Brazilian Masculinity in Gabriel Mascaro's Neon Bull — Filmatique

I really didn't know how to describe neon bull so I didn't review it. In Portuguese, with English subtitles. Fans of international cinema who read accounts of premieres of a South American film at, say, Cannes may assume that said film was for made for the Brazilian market but happily discovered by discerning and venturesome French programmers. In this sense, it registers as a near-surprise when the sexual preference of the main characters is revealed towards the end. Subtly but surely, Mascaro establishes a fevered, deeply sensual visual language that, while never describing same-sex intimacy of any kind, releases a strong homoerotic charge.

Get your NEON BULL on to win!

The subjugation of the animals by the humans is never politicized, and neither is the humans' obvious subjugation by other people who live far higher on the social food chain. Without ever explaining where this enthusiasm came from, scenes where the tough cowboy is seen sewing at night or dressing mannequins appear random and almost disorientingly at odds with his circumstances. It's dusty and back-breaking work, but Iremar is a natural vaqueiro feeding, prepping and taking care of the bulls. By breaking down taboos like explicit phallic depictions and the asexual sanctity of pregnant women, it further gains a subversive edge usually seen in queer cinema. At the 31st it received the main prize of the International Competition, the Warsaw Grand Prix. At a horse-trading fair, the finest mare is named Lady Di, and her stallions are handpicked.

‘Neon Bull’ Review: Gabriel Mascaro Grabs Brazilian Rodeo by the Tail

Crew: Directed by Gabriel Mascaro. One only wishes it could have embedded such daring and verve in a more fully realized context. Swinging in his hammock in the back of the truck, his head is filled with dreams of pattern cutting, sequins and exquisite fabrics as he mentally assembles elaborate new fashion designs. Together they form a makeshift but close-knit family. Because so few of us grow up close to stables and barnyards, the primal kinship between people and animals is easily taken for granted. Whether his subjects are shoveling manure or showering down afterward, Mascaro prefers to celebrate these figures in their physical entirety.

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One is set outdoors at night in the presence of livestock. Club members also get access to our members-only section on RogerEbert. God forbid that we should smell like them. And I would venture there are a couple of other potential causes that stem from the particular kind of festival film it is. In another, he talks and moos to a pen filled with cattle.

Неоновый вол (2015)

I see a lot of movies and submit a review for most of them. The film premiered at the and won the Horizons Orizzonti - Special Jury Prize. Everything in this film is sensual, understood to be a subsumed sex act, with actual sex serving as a contextualizing catharsis… the filmmaker never dampens the mystery and spell of this atmosphere with overemphasis. Home is the truck used to transport the animals from show to show which he shares with his coworkers; Galega, an exotic dancer, truck driver and mother to her spirited and cheeky daughter Cacá, and Zé, his rotund compadre in the bull pen. Also in Toronto Film Festival — competing. The wooden stall in which Iremar Juliano Cazarré , a handsome cowboy, and his fellow rodeo workers slosh themselves with buckets of water is the farthest thing from an elegant bathroom.